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The act established the Philippine Registry of Cultural Property, the country's repository of its cultural heritage. [305] The National Commission for Culture and the Arts, established by law in 1992, is the cultural arm of the Philippine government, and a Philippine Department of Culture has been proposed. [306] [307]
Imao was named National Artist of the Philippines for Visual Arts in 2006. A Tausūg, Imao is the first Moro to receive the recognition. [1] Aside from being a sculptor, Imao is also a painter, photographer, ceramist, cultural researcher, documentary film maker, writer, and a patron of Philippine Muslim art and culture. [2] [3] [4]
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Rey Mudjahid Ponce Millan (born 8 July 1974), better known as Kublai Millan or Kublai, is a Filipino painter, sculptor, curator, and cultural mover from Mindanao.He is known for his monumental sculptures, his colorful paintings, and his culture and arts community engagements.
The order is administered by the Cultural Center of the Philippines by virtue of President Ferdinand Marcos's Proclamation No. 1001 of April 2, 1972, and the National Commission for Culture and the Arts. The first award was posthumously conferred on Filipino painter Fernando Amorsolo.
Rey Paz Contreras (August 31, 1950-March 23, 2021) is a prominent Filipino sculptor working with urban refuse and environmental materials as artistic media. He is inspired by the indigenous Filipino culture and creates visual forms of contemporary images that explore a distinct Filipino aesthetics. [1]
Orosa further described that the woman is Emiliana Trinidad. Trinidad is the ancestor of the owner of the painting, and is claimed by Orosa to be the same woman who posed for Luna's La Bulaqueña, another of his artworks that illustrate Filipino culture. [2]
Anita Magsaysay-Ho (born Anita Corpus Magsaysay; May 25, 1914 – May 5, 2012) was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. [2] Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. [ 3 ]
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