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The appendix includes information about translations from Sanskrit, English, Bengali, Hindi, Urdu; and about some collection of ghazals, folk-songs and devotional songs, Rasa, patriotic poems and songs. An index of books and authors is given at the end of the book.
Many loanwords are of Persian origin; see List of English words of Persian origin, with some of the latter being in turn of Arabic or Turkic origin. In some cases words have entered the English language by multiple routes - occasionally ending up with different meanings, spellings, or pronunciations, just as with words with European etymologies.
The original Hindi dialects continued to develop alongside Urdu and according to Professor Afroz Taj, "the distinction between Hindi and Urdu was chiefly a question of style. A poet could draw upon Urdu's lexical richness to create an aura of elegant sophistication, or could use the simple rustic vocabulary of dialect Hindi to evoke the folk ...
Rasa has been an important influence on the cinema of India. Satyajit Ray has applied the Rasa method of classical Sanskrit drama to movies, for instance in The Apu Trilogy (1955–1959). [37] In Hindi cinema, it is the theme of the film Naya Din Nayi Raat, where Sanjeev Kumar plays nine characters corresponding to nine Rasa. [citation needed]
Urdu in its less formalised register is known as rekhta (ریختہ, rek̤h̤tah, 'rough mixture', Urdu pronunciation:); the more formal register is sometimes referred to as زبانِ اُردُوئے معلّٰى, zabān-i Urdū-yi muʿallá, 'language of the exalted camp' (Urdu pronunciation: [zəbaːn eː ʊrdu eː moəllaː]) or لشکری ...
In Urdu, many Arabic words may retain their original dual and plural markings in Urdu. i.e. vālid "father" → vālidain "parents". The -iyā ending is also not always a reliable indicator of gender or noun type. Some words such as pahiyā ('wheel') and Persian takiyā ('pillow') are masculine type-I: pahiye ('wheels'), takiye ('pillows').
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Hyderabadi Urdu is the closest of these dialects to Standard Urdu and the most spoken. [ 11 ] The term "Deccani" and its variants are often used in two different contexts: a historical, obsolete one, referring to the medieval-era literary predecessor of Hindi-Urdu; [ 12 ] [ 7 ] and an oral one, referring to the Urdu dialects spoken in many ...