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Das klagende Lied (Song of Lamentation) is a cantata by Gustav Mahler, composed between 1878 and 1880 and greatly revised over the next two decades. In its original form, Das klagende Lied is the earliest of his works to have survived.
Mutabaruka was born and raised in Rae Town, Kingston, Jamaica, [1] in a household with his father, mother and two sisters. When he was eight years old his father died. Mutabaruka attended the Kingston Technical High School, where he trained in electronics for four years, going on to work for the Jamaican Telephone Company until eventually quitting i
The album was produced by Mutabaruka, Gussie Clarke, and Philip "Fatis" Burrell. [7] Sly and Robbie played on Melanin Man; Dennis Brown, Cocoa Tea, and Freddie McGregor sang on the album. [8] [9] [10] The title track alludes to the pseudoscientific theory; it was also considered a black pride anthem. [11] [12] "Beware" offers advice to Nelson ...
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret , or mourning . Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing ...
Prince William Pitt Leleiohoku II (1854–1877), was a poet and composer of many Hawaiian mele (songs), [1] mostly love songs. He was the youngest of the Na Lani ʻEhā ("Royal Four"), which included his sisters Queen Liliʻuokalani (1838–1917) and Princess Miriam Likelike (1851–1887) and his brother King David Kalākaua (1836–1891).
Leonard Bernstein's Symphony No. 1 Jeremiah was composed in 1942.Jeremiah is a programmatic work, following the Biblical story of the prophet Jeremiah.The third movement uses texts from the Book of Lamentations in the Hebrew Bible, sung by a mezzo-soprano.
The music is in a minor key, with sustained minor chords ending each phrase in the primary melody, while the melody line goes through a slow musical turn (turning of related notes) which ends each phrase, and emphasizes the ominous minor chords. Underneath the slow, paced melody, is a rhythmic, low "drum beat" in double-time, constantly ...
for voice and piano: words by Thomas Ashe: Vocal: 13: c.1901: The Primrose: for voice and piano: words by James Merrick: Vocal: 14: 1902: The Hag: for baritone and orchestra: words by James Merrick: Chamber music: 15: 1902: Piano Quartet in C minor: for violin, viola, cello and piano: Piano: 16: 1902: Pensées Fugitives I in F minor: for piano