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The Monthly Film Bulletin wrote: "Often wasted on television, Dick Emery's considerable talent for comic impersonations is here woven into an entertaining plot which finds plausible excuses for him to don an assortment of disguises and appear in drag (as a bereaved mother, a blowsy woman police officer), as a diplomat, or as the familiar butler ...
Richard Gilbert Emery was born 19 February 1915, [1] in University College Hospital, Bloomsbury, London. [2] His parents were the comedy double act Callan and Emery. [1] They took him on tour when he was only three weeks old and gave him the occasional turn on the stage during his childhood, which was always on the move and disrupted, creating problems for the future but setting the scene for ...
In the early 2000s, the party crew scene underwent changes, as hip-hop and reggaeton replaced house music; MySpace and Techno4Us became the primary mediums of advertisement; and the parties moved from backyards to mostly indoor venues. [9] In the early 2000s, noz also became an important part of party crew events. [9]
The two principal protagonists of "The End of the Party" [3] are nine-year-olds, Peter Morton and Francis Morton. The story makes clear that although they are identical twins, they possess profound psychological differences – Peter, the elder by several minutes, is presented as a healthy child with an intensively protective attitude towards his impaired brother, while Francis is depicted as ...
[This story contains spoilers for Jordan Peele’s Nope.] What’s the deal with the chimp? Well that chimp, Gordy, is the key to the whole bloody affair. Let’s back up for a moment. Jordan ...
"Eighties" is the lead single from English post-punk band Killing Joke's fifth studio album, Night Time (1985), produced by Chris Kimsey. The song had been premiered during a three track live performance for UK TV show The Tube in December 1983. [1] Upon its release, the single reached No. 60 in the UK Singles Chart.
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The term is the usual translation of the Dutch geselschapje, [2] or vrolijk gezelschap, and is capitalized when used as a title for a work, and sometimes as a term for the type. The scenes may be set in the home, a garden, or a tavern, and the gatherings range from decorous groups in wealthy interiors to groups of drunk men with prostitutes.