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The album was produced by Mutabaruka, Gussie Clarke, and Philip "Fatis" Burrell. [7] Sly and Robbie played on Melanin Man; Dennis Brown, Cocoa Tea, and Freddie McGregor sang on the album. [8] [9] [10] The title track alludes to the pseudoscientific theory; it was also considered a black pride anthem. [11] [12] "Beware" offers advice to Nelson ...
Mutabaruka was born and raised in Rae Town, Kingston, Jamaica, [1] in a household with his father, mother and two sisters. When he was eight years old his father died. Mutabaruka attended the Kingston Technical High School, where he trained in electronics for four years, going on to work for the Jamaican Telephone Company until eventually quitting i
Das klagende Lied (Song of Lamentation) is a cantata by Gustav Mahler, composed between 1878 and 1880 and greatly revised over the next two decades. In its original form, Das klagende Lied is the earliest of his works to have survived.
Lamentation is a modern dance solo choreographed by Martha Graham to Zoltán Kodály's 1910 Piano Piece, Op. 3, No. 2. [1] One of Graham's signature works, it premiered on January 8, 1930 at Maxine Elliott's Theatre in New York City .
relief of the Lamentation of Christ from the Zvíkov Castle Chapel [1]; Relief of the Lamentation of Christ, Diocesan Museum in Vienna [2]; large altarpiece, St. Margaret's Church in Kašperské Hory (three main figures from the ark's case - Madonna, St. Margaret and St. Linhart and the crucified Christ from its extension - have been preserved)
The Master of the Žebrák Lamentation followed on from the tradition of late 15th-century woodcarving represented by the Velhartice retable. In his work, the excited pathos and intensity of emotional experience dominates over the physical essence of the figures that are characterised by small heads and elongated bodies.
The tenor text is a modified quotation taken from the Book of Lamentations (1.2), the biblical lament about the fall of Jerusalem: Omnes amici ejus spreverunt eam, non est qui consoletur eam ex omnibus caris ejus. ('All her friends have scorned her; of all her beloved ones there is not one to comfort her.'),
Swordsman II, also known as The Legend of the Swordsman, is a 1992 Hong Kong wuxia-martial arts film [1] very loosely adapted from Louis Cha's novel The Smiling, Proud Wanderer. It was the second part of a trilogy: preceded by The Swordsman (1990) and followed by The East Is Red (1993).