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Pasquale Poccianti, Cisternone, Livorno. Neoclassical architecture in Tuscany established itself between the second half of the eighteenth century and the first half of the nineteenth century within a historical-political framework substantially aligned with the one that affected the rest of the Italian peninsula, while nonetheless developing original features.
Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy.The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino.
Tuscan is often used for doorways and other entrances where only a pair of columns are required, and using another order might seem pretentious. Because the Tuscan mode is easily worked up by a carpenter with a few planing tools, it became part of the vernacular Georgian style that lingered in places like New England and Ohio deep into the 19th ...
The Tuscan atrium seems to be the most common type in Pompeii. [14] The Tuscan type has the advantage that the walls and pillars are very well-protected from the elements. For a smaller cavaedium, it is a simple, light structure. In a larger cavaedium, though, it requires very massive timber beams.
Reconstructed plan of Pliny's villa in Tuscis (Robert Castell 1728) reconstruction by Karl Friedrich Schinkel, 1842 Excavations ot Colle Plinio. The Villa of Pliny in Tuscis was a large, elaborate ancient Roman villa-estate that belonged to the Plinys (Pliny the Elder and Pliny the Younger). [1] It is located at Colle Plinio near San Giustino ...
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Peaking in popularity during the 1920s and 1930s, the movement drew heavily on the style of palaces and seaside villas and applied them to the rapidly expanding coastal resorts of Florida and California. Structures are typically based on a rectangular floor plan, and feature massive, symmetrical primary façades.
The house is based upon two magnificent colonnaded gardens or peristyles, one Ionic and the other Doric. It also has two atriums, the Tuscan and the peristyle atrium. [3] The focus of the decoration of the house, the Alexander mosaic, is placed on the central visual axis between the first and second peristyles, in a room referred to as an ...
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