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Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer , especially when dealing with an object of cultural heritage .
At the same time, the wax filled in cracks in the surfaces, sealing moisture inside the walls, further weakening them by compromising the strength of the mortar holding the walls together. By 2013 the villa, like most of Pompeii, was in dire need of modern conservation, as was a protective covering that had been constructed in different phases ...
Fielding notes that a number of different types of adhesives may be used in this process. Glue paste, beeswax, strong copal varnish, or a glue made from pounded cheese are all listed as acceptable materials to coat the back of the artwork with. [6] The main benefits of a pounded cheese-based paste is its water-resistance.
There are three types of ceramic objects. They are earthenware, stoneware, and porcelain. Each of these types of ceramic objects are fired at different degrees and come in different colors. [19] The materials used in their construction are often a clay body, and some times mixed with sand, shell, chalk, mica, and ground-up fired ceramics.
The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china), developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.
A completely unrelated type of "encaustic painting", not involving wax at all, is found in British ceramics, after Josiah Wedgwood devised and patented the technique in 1769. This was a mixture of ceramic slip and overglaze "enamel" paints used to imitate ancient Greek vase painting, and given a light second firing.
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