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The Grammy Award for Best Contemporary Instrumental Album (previously: Best Pop Instrumental Album) is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to recording artists for quality instrumental albums in the pop music genre.
From 2012, all instrumental performances in the pop category (solo or with a duo/group) were shifted to either the newly formed Best Pop Solo Performance or Best Pop Duo/Group Performance categories. A similar award for Best Instrumental Performance was awarded from 1965 to 1968.
The Grammy Award for Best Pop Solo Performance is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. [1] According to the 54th Grammy Awards description guides, the Best Pop Solo Performance Award as being designed for a solo performance pop recording (vocal and ...
The Grammy Award for Best Pop Instrumental Performance by an Arranger, Composer, Orchestra and/or Choral Leader was awarded at the 15th Annual Grammy Awards for music released in the previous year. 1973 was the only year in which the Grammy Award for Best Pop Instrumental Performance was split into Best Pop Instrumental Performance by an Arranger, Composer, Orchestra and/or Choral Leader and ...
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"Joy" is a 1971 instrumental pop hit record by Apollo 100. It is a contemporary rendition of a 1723 composition by Johann Sebastian Bach entitled "Jesu, Joy of Man's Desiring", shortened to simply "Joy". It reached number 6 on the U.S. Billboard Hot 100 in January 1972 and number 2 on the Adult Contemporary chart.
From 2012, all duo or group performances in the pop field were shifted to the newly formed Best Pop Duo/Group Performance category. A similar award for Best Performance by a Vocal Group was awarded from 1961 to 1968. This was also in the pop field, but did not specify pop music.
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single ...