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Doo-wop is popular among barbershoppers and collegiate a cappella groups due to its easy adaptation to an all-vocal form. Doo-wop experienced a resurgence in popularity at the turn of the 21st century with the airing of PBS's doo-wop concert programs: Doo Wop 50, Doo Wop 51, and Rock, Rhythm, and Doo Wop. These programs brought back, live on ...
The Five Discs were an American doo-wop group from Brooklyn, New York, United States. In 1954, the Lovenotes, a six-man group (no recordings) with Mario deAndrade and Andy Jackson formed in Bedford-Stuyvesant, Brooklyn. Down the block, Joe Barsalona, Tony Basile, and Paul Albano were trying to put a group together and often Mario deAndrade ...
This group can be seen on video in a "Fabian's Goodtime Rock & Roll Special" available for viewing on YouTube. In 1982, Schiavo was replaced by the returning Richie Rosato on lead vocals and this group can be seen on YouTube in a doo wop concert held at NYC's famous Studio 54.
Doo Wop 50 is a television and DVD special created and produced by TJ Lubinsky. The special was inspired by a 1994 CD box-set of doo wop music which was also a development and production partner WQED in the program and dvd.
[1] [3] Hendrson arranged a record deal with Philadelphia's Casino Records, and their first release "Trickle Trickle" is considered a doo-wop classic. [1] [2] The record did not chart on Billboard, but did hit #90 on Cashbox. [3] Before the next single could be recorded, Ronald Cussey had been diagnosed with leukemia and Ronnie Woodhall had died.
The Devotions are an American doo-wop group. [1] Their single of a novelty song called "Rip Van Winkle" was released in 1961 on Delta Records; the tune was re-released on Roulette Records in 1962 and again on Roulette in 1963. [2] The song became a hit on its third release, peaking as high as No. 36 on the Billboard Hot 100 in 1964. [3]
The Five Sharps were an American short-lived vocal group from Queens, New York.They are best known today for their recording of "Stormy Weather". "Stormy Weather" is today considered one of the most collectible doo-wop singles ever released. [1]
[citation needed] It features more rock and doo-wop hits from the late 1950s and early 1960s (only one of which, the Crows' "Gee", was featured in the film), along with additional Wolfman Jack dialogue.