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The Watkins Copicat is an effects unit that produces tape delay and reverb effects. One of the first commercially available tape delay units, [1] the original Copicat model was produced by Watkins Electric Music beginning in 1958. The Copicat became one of Watkins' most successful products, and the company produced various Copicat models and ...
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It uses tape delay to create a delayed copy of an audio signal which is then played back at slightly varying speed controlled by an oscillator and combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking .
Echoplex EP-2. The Echoplex is a tape delay effects unit, first made in 1959.Designed by engineer Mike Battle, [1] the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured."
The character of the delay sound changes as the tape wears with use. [2] Michael Dregni of Vintage Guitar described the Space Echo sound as "warm, rich and organic". [ 1 ] In Sound on Sound , Paul White wrote that "the term 'musical' is often over-used, but it really did apply to the RE-201, in that the echoes were warm and didn't get in the ...
The tape mechanism of a Roland RE-201 delay unit. Tape echoes became commercially available in the 1950s. [9] Tape echo machines contain loops of tape that pass over a record head and then a playback head. An echo machine is the early name for a sound processing device used with electronic instruments to repeat the sound and produce a simulated ...
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.
The first dedicated loop device was the Paradis LOOP Delay. [6] The Paradis and other models had volatile memories, forcing composers to develop fresh loops live in front of their audiences — and thus, live looping came into existence. Roland and DigiTech loop pedals entered the market in 2001, around the same time DJ mixing gained popularity ...
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