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From the ANT viewpoint, design is seen as a series of features that account for a social, psychological, and economical world. ANT argues that objects are designed to shape human action and mold or influence decisions. In this way, the objects' design serves to mediate human relationships and can even impact our morality, ethics, and politics. [32]
In this way, art itself becomes analytical and self-aware. The subjective frame comprises mainly feelings and emotions expressed, and of audience response or interpretation. The structural frame refers to physical techniques and principles applied to the artwork, such as mediums , overall structure, facture [ 2 ] and the use of symbols.
Assemblage (from French: agencement, "a collection of things which have been gathered together or assembled") is a philosophical approach for studying the ontological diversity of agency, which means redistributing the capacity to act from an individual to a socio-material network of people, things, and narratives.
These internalized relationships and habitual expectations and relationships form, over time, the habitus. Bourdieu's work attempts to reconcile structure and agency, as external structures are internalized into the habitus while the actions of the agent externalize interactions between actors into the social relationships in the field ...
Participatory art is a form unto itself, while other types of art that interface with the public (social practice, socially-engaged art, community-based art, etc.) are its sub-types. While it may seem paradoxical, just because an artwork engages with the public, that does not make it participatory.
Agency is contrasted to objects reacting to natural forces involving only unthinking deterministic processes. In this respect, agency is subtly distinct from the concept of free will, the philosophical doctrine that our choices are not the product of causal chains, but are significantly free or undetermined.
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The resulting data - video, text, meta data, image - will be made available under a creative commons license, allowing it to be reused by other practitioners, aligning it to ideas about public arts relationship with use [16] and legacy [17] value. Landscape-Portrait is an example of a digital public artwork which derives from a practice which ...