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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys.Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
The 77-year-old “godmother of performance art” reflects on a five-decade career that has pushed the limits of social taboo, physical endurance and fear itself.
In cultural anthropology, the distinction between a guilt society or guilt culture, shame society or shame culture, and a fear society or culture of fear, has been used to categorize different cultures. [1] The differences can apply to how behavior is governed with respect to government laws, business rules, or social etiquette.
Process art is an artistic movement and creative sentiment where the end product of art and craft is not the principal focus. The 'process' in process art refers to the act of creating art: the gathering, sorting, collating, associating, and patterning. Process art emphasizes the actual doing—art as a rite, ritual, and performance.
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
In his study on the relationship between modern art and radical politics, Social Radicalism and the Arts, Donald Drew Egbert argued that in fact, modern artists were often most at home with an anarchist understanding of the position of the place of the artist in society than either a de-politicised Greenbergian or a Marxist understanding of the ...