Search results
Results from the WOW.Com Content Network
Feroz-ul-Lughat Urdu Jamia (Urdu: فیروز الغات اردو جامع) is an Urdu-to-Urdu dictionary published by Ferozsons (Private) Limited. It was originally compiled by Maulvi Ferozeuddin in 1897. The dictionary contains about 100,000 ancient and popular words, compounds, derivatives, idioms, proverbs, and modern scientific, literary ...
Designing of inlaid articles is a highly elaborate process. There are sometimes more than 400 pieces per square inch in a work of average quality. [2] Thin rods of different coloured woods, ivory, bone, brass, silver, etc. were glued together into long bunches that could have a round, rectangular, or polygonal cross-section. [3]
Tortoiseshell, horn and ivory zarfs required special skill to make. In the first two cases, sheets of the material in question were softened in hot water and then clamped in a mold to create the required shape. Ivory was carved in the same way as wood; however, its greater value meant that more care was needed to avoid mistakes.
The pieces are then sanded individually or in groups to add depth to the piece. Once the sanding is completed, the wood pieces are fitted together to form the final result. A finish (for example a clear gel stain) can be applied to the individual pieces before gluing, or to the glued final version. [8]
Pakistani craft (Urdu: پاکستانی دستکاری) has a rich history and deep-rooted tradition. It involves the creation, design, and shaping of objects by hand or with simple tools, selecting the artisanal sills of Pakistani people.
Both ivory and bone were carved in relief panels, often with two or three strips forming a single inlay. Only ivory was used for openwork. [7] After carving the surfaces were smoothed and lightly polished. Traces of colour survive, showing the use of alternating red and blue pigments, and the highlighting of plain backgrounds with red or black.
This ivory will be occasionally marked synthetic while "French Ivory" or "India Ivory" are common marks. It can be distinguished from natural ivory due to its lighter weight and more even coloring. [5] Cellulose nitrate can be identified with a chemical spot test using diphenylamine. This ivory can degrade and produce acidic and oxidizing nitrogen.
Ivory is a fragile medium; many 19th-century pieces were preserved because they were kept in a barrel of oil on board ship. Gary Kiracofe, a scrimshander in Nantucket, Massachusetts, advises collectors that if a piece looks dry, one should fill the center of the tooth with unscented baby oil and allow it to remain until as much oil as possible is soaked into the microscopic pores of the ivory.