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In Egyptian mythology, the Ogdoad (Ancient Greek: ὀγδοάς "the Eightfold"; Ancient Egyptian: ḫmnyw, a plural nisba of ḫmnw "eight") were eight primordial deities worshiped in Hermopolis. The earliest certain reference to the Ogdoad is from the Eighteenth Dynasty , in a dedicatory inscription by Hatshepsut at the Speos Artemidos .
The concept of an Ogdoad (Greek: ὀγδοάς) appears in Gnostic systems of the early Christian era, and was further developed by the theologian Valentinus (ca. 160 AD). The number eight plays an important part in Gnostic systems, and it is necessary to distinguish the different forms in which it appeared at different stages in the ...
With the greek god of architecture being Hephaestus (fire, metalworking, craftsmen, sculpture, metallurgy and volcanoes) and the greek goddess associated with architecture being Hestia (architecture, the hearth, and domesticity). The role temples are intended for worship to celebrate their god and receive comfort.
Ancient Greek architecture came from the Greeks, or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.
The Corinthian order (Greek: Κορινθιακὸς ῥυθμός, Korinthiakós rythmós; Latin: Ordo Corinthius) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Roman architecture.
In early history, philosophers distinguished architecture ('technion') from building ('demiorgos'), attributing the former to mental traits, and the latter to the divine or natural. The presence of some degree of formalism continues to be an important trait in distinguishing one architectural style from another, and thus in distinguishing the ...
The House of the Tiles is a monumental Early Bronze Age building (two stories, approximately 12 x 25 m) located at the archaeological site of Lerna in southern Greece. [1] It is notable for several architectural features that were advanced for its time during the Helladic period, notably its roof covered by baked tiles, which gave the building its name.
The raised spaces between the channels themselves (within a triglyph) are called femur in Latin or meros in Greek. [2] In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using ...