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The concept of an Ogdoad (Greek: ὀγδοάς) appears in Gnostic systems of the early Christian era, and was further developed by the theologian Valentinus (ca. 160 AD). The number eight plays an important part in Gnostic systems, and it is necessary to distinguish the different forms in which it appeared at different stages in the ...
With the greek god of architecture being Hephaestus (fire, metalworking, craftsmen, sculpture, metallurgy and volcanoes) and the greek goddess associated with architecture being Hestia (architecture, the hearth, and domesticity). The role temples are intended for worship to celebrate their god and receive comfort.
In Egyptian mythology, the Ogdoad (Ancient Greek: ὀγδοάς "the Eightfold"; Ancient Egyptian: ḫmnyw, a plural nisba of ḫmnw "eight") were eight primordial deities worshiped in Hermopolis. The earliest certain reference to the Ogdoad is from the Eighteenth Dynasty , in a dedicatory inscription by Hatshepsut at the Speos Artemidos .
Ancient Greek architecture came from the Greeks, or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.
The history of architecture traces the changes in architecture through various traditions, regions, overarching stylistic trends, and dates. The beginnings of all these traditions is thought to be humans satisfying the very basic need of shelter and protection. [ 1 ]
The advent of Greek Ptolemaic rule, followed by Roman rule, introduced elements of Greco-Roman architecture into Egypt, especially in the capital city of Alexandria. After this came Coptic architecture , including early Christian architecture , which continued to follow ancient classical and Byzantine influences.
A History of Western Architecture is a textbook by British architectural historian David Watkin, first published in 1986. The seventh edition (2023) was revised and expanded by Owen Hopkins. [1] The book is known for emphasising the classical tradition's importance for later architecture.
In early history, philosophers distinguished architecture ('technion') from building ('demiorgos'), attributing the former to mental traits, and the latter to the divine or natural. The presence of some degree of formalism continues to be an important trait in distinguishing one architectural style from another, and thus in distinguishing the ...