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Dumplings received mixed reviews. Keith Hennessey Brown of Eye For Films gave the film 4.5 out of 5 stars, calling it "a beautifully crafted, thoughtful and thought-provoking piece of cinema that once again confirms Fruit Chan's status as Hong Kong's best filmmaker". [ 4 ]
According to Hu Shan, a Beijing-based creative producer and self-described movie buff, the film worked for Westerners who have little knowledge of Asian culture or Asian diaspora who are happy to see their own culture presented in a Hollywood movie. According to popular reviews posted on Chinese movie websites mtime and douban, "Crazy Rich ...
On Rotten Tomatoes, the film holds an approval rating of 100% from six reviews. [33] Rouven Linnarz from Asian Movie Pulse called it "a fascinating and quite gripping blend of drama and thriller", and wrote, "Hong Eui-jeong has created an ambitious piece of work, whose cast and aesthetics are just two aspects within a story that offers a rich ...
The film also received negative reviews from the audience. Don Anelli from Asian Movie Plus argued that irrelevant content stories such as an extended focus on “life or soldiers” and the details of a “psychic that’s held hostage at the compound” made the movie about twenty minutes longer than it should be, making the movie tiring to ...
The Housemaid (Korean: 하녀; RR: Hanyeo) is a 2010 South Korean erotic psychological thriller film directed by Im Sang-soo.The story focuses on Eun-yi, played by Jeon Do-yeon, who becomes involved in a destructive love triangle while working as a housemaid for an upper-class family.
At a combined age of 189 years, two Taiwanese grandmas, called Nǎi Nai and Wài Pó by their grandson, found out they're now in an Oscar-nominated film.
Monster was released in theaters on March 13, 2014. Writer-director Hwang In-ho experimented by combining thriller and comedy elements and pushing genre conventions to their extremes with strong stylistic overtones, but some reviews called the film "awkward," "unharmonious" and "almost schizophrenic" as a result, while others criticized a perceived misogyny beneath the film's ostensible ...
The film had a special screening at the 21st New York Asian Film Festival on 19 July 2022, [13] as well as the Fantasia International Film Festival on 2 Aug 2022. [14] It was also released in Singapore on 21 July, Taiwan on 22 July, Malaysia on 28 July, Vietnam on 5 August, Saudi Arabia, UAE, Bahrain on 11 August 2022 and Japan on 26 May 2023.
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