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On the review aggregator website Rotten Tomatoes, the film holds a 90% approval rating based on 234 reviews, with an average rating of 8.2/10. The website's critics consensus reads, "The feel-good Amélie is a lively, fanciful charmer, showcasing Audrey Tautou as its delightful heroine."
Pod is a country boy who moves to Bangkok, despite his grandmother's warning that he'll grow a tail.He finds a small house to live in and takes a job in a sardine cannery, getting rides to work on the back of a motorcycle taxi, the rider of which has been made a zombie after one day it rained motorcycle helmets and he wasn't wearing one.
The Foreign Language Film Award Committee oversees the process and reviews all the submitted films. Following this, they vote via secret ballot to determine the five nominees for the award. The Indonesian submissions are selected by Persatuan Produser Film Indonesia (English: Indonesian Motion Picture Producers Association). [8]
The film has a 46% rating on Rotten Tomatoes based on 13 reviews. [4] Simon Abrams of RogerEbert.com awarded the film three stars. [5] Brennan Klein of Screen Rant awarded the film two and a half stars out of five. [2] David Ehrlich of IndieWire graded the film a B-. [3] Chase Hutchinson of Collider scored the film a 3 out of 10. [6]
Amélie, a 2001 French film Amélie from the film; Amélie, a musical based on the 2001 film; French frigate Amélie, a 46-gun Pallas-class frigate of the French Navy "Amelie", song by Mercury Rev from The Light in You "Amelie", a 2007 song by Mr. J. Medeiros
The film, repeatedly compared by film critics with Amélie, received an overall very positive reaction, holding a 73% Fresh (i.e., positive) rating on Rotten Tomatoes. [ 6 ] In the United States, Mick LaSalle noted it was the "first feature from 26-year-old Laetitia Colombani and represents about as assured a debut as they come.
Amélia is a 2001 Brazilian comedy-drama film directed by Ana Carolina, inspired by the visit of French actress Sarah Bernhardt to Brazil, in 1905. In the film, the actress is under a professional and personal crisis, but is induced by her Brazilian housekeeper, Amélia, to start performing in Rio de Janeiro.
Amélie is the soundtrack album to the 2001 film of the same name. Director Jean-Pierre Jeunet was introduced to the accordion and piano-driven music of Yann Tiersen by his production assistant. Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film. [ 1 ]