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Hyperrealism, although photographic in essence, often entails a softer, much more complex focus on the subject depicted, presenting it as a living, tangible object. These objects and scenes in hyperrealism paintings and sculptures are meticulously detailed to create the illusion of a reality not seen in the original photo.
This 1917 drawing is noted as one of Lowry's earliest mill scenes. [7] Lowry re-used this composition in a 1928 painting, Coming Home from the Mill, which is now in the collection of the Manchester Art Gallery. [8] The 1930 version of Coming from the Mill, painted some 13 years later, is evidence of a change in Lowry's use of light.
Acrylic, oilstick, and spray paint on canvas 68 x 102 in N/A The Broad museum 1982 Hannibal: Acrylic, oilstick and paper collage on canvas with wooden supports 60 x 60 in $13.1 million (2016) [82] Private collection 1982 Palm Springs Jump: Acrylic, oilstick and gold paint on canvas 72 x 84 in $12.8 million (2008) [83] Private collection 1982 ...
Oil on canvas: c. 1596: Lute Player: New York City, Metropolitan Museum of Art (on loan) 100 × 126,5 cm Oil on canvas: c. 1596: Basket of Fruit: Milan, Biblioteca Ambrosiana: 46 × 64 cm Oil on canvas: c. 1596: Bacchus: Florence, Uffizi: 95 × 85 cm Oil on canvas [15] c. 1597: Penitent Magdalene: Rome, Doria Pamphilj Gallery: 122.5 × 98.5 cm ...
Houses at l'Estaque (French: Maisons à l'Estaque, or Maisons et arbre) is an oil-on-canvas painting by Georges Braque executed in 1908. It is considered either an important Proto-Cubist landscape [2] or the first Cubist landscape. [3] The painting prompted art critic Henri Matisse to mock it as being composed of cubes which led to the name of ...
The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), [2] where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the ...
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .
Through art and artistic expression (through all mediums including painting, literature and music), American realism attempted to portray the exhaustion and cultural exuberance of the figurative American landscape and the life of ordinary Americans at home. Artists used the feelings, textures and sounds of the city to influence the color ...
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