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Gilliam wanted to provoke strong reactions to his film as he said in an interview, "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." [ 15 ] Fear and Loathing in Las Vegas polarized critics; on review aggregator Rotten Tomatoes , the film holds an approval rating of 50% based on 70 ...
Longlegs is a 2024 American police procedural horror film written and directed by Osgood Perkins and starring Maika Monroe, Alicia Witt, Blair Underwood, and Nicolas Cage.It follows an FBI agent in the 1990s who is tasked with tracking down an occultist serial killer responsible for murdering multiple families throughout Oregon.
The song "Rock Monster" is sung as a music video with the entire characters from the movie dancing. After the song is finished, Bob the Tomato makes his first appearance in the movie. Finn on the Fly: in a mid-credits scene, Dr. Madsen Phone; A collection of outtakes, during the credits. Finn as the Newspaper. Finn in the Door. Sadhu Miranda
The site's critics consensus reads: "The Rock makes a competent hero, but the movie is content to let a 2×4 do all the talking." [2] Metacritic gave the film a score of 44 out of 100 based on 31 critics, indicating "mixed or average reviews". [3] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. [4]
Jack meets dance instructor Alice Shiffer, lies to her to date her and to steal a necklace from a jewelry store. After being incarcerated for a time, he works with Alice at her dance school while on probation. He then gets hired as bodyguard of infamous Arnold Rothstein who gives him the nickname Legs. His plan is to supplant Rothstein with the ...
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Daddy Longlegs is a 2009 American comedy-drama film directed by Josh and Benny Safdie.It stars Ronald Bronstein, Sage Ranaldo, and Frey Ranaldo.It tells the story of a divorced projectionist and his two sons.
Stronger is a 2017 American biographical drama film directed by David Gordon Green and written by John Pollono, based on the memoir of the same name by Jeff Bauman and Bret Witter.