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The Jñāna mudrā ("mudra of wisdom") is done by touching the tips of the thumb and the index together, forming a circle, and the hand is held with the palm inward towards the heart. [14] The mudra represents spiritual enlightenment in the indian-origin religions. Sometimes sadhus chose to be buried alive in this samadhi position.
Gilded bronze Statue of Tara, Sri Lanka, 8th century CE. With her right hand, the bodhisattva makes Varadamudra, the gesture of charity or gift-giving, while her left hand may originally have held a lotus. Bodhisattva making varadamudra. Pala period, 12th century.
Samadhi Buddha statue at Mahamevnāwa Park in Anuradhapura, Sri Lanka. The Samadhi Buddha is a famous statue situated at Mahamevnāwa Park in Anuradhapura, Sri Lanka. The Buddha is depicted in the position of the Dhyana Mudra, the posture of meditation associated with his first Enlightenment. This statue is 7 feet 3 inches in height and carved ...
Standard postures such as Abhaya Mudra, Dhyana Mudra, Vitarka Mudra and Kataka Mudra were used when making these statues. The Samadhi statue in Anuradhapura, considered one of the finest examples of ancient Sri Lankan art, [ 137 ] shows the Buddha in a seated position in deep meditation, and is sculpted from dolomitic marble and is datable to ...
Khecarī Mudrā (Sanskrit, खेचरी मुद्रा) is a hatha yoga practice carried out by curling the tip of the tongue back into the mouth until it reaches above the soft palate and into the nasal cavity.
In Thailand and Laos, this mudra is associated with the Walking Buddha, often shown having both hands making a double abhayamudra that is uniform. Statue of Vishnu, Berlin, left hand depicting the abhayamudra. The abhayamudra was probably used before the onset of Buddhism as a symbol of good intentions proposing friendship when approaching ...
[4] [5] The Anjali mudra differs from Namaste by being a non-verbal gesture, while Namaste can be said with or without any gesture. According to Bhaumik and Govil, the Anjali mudra and Namaskara mudra are very similar but have subtle differences. The back of the thumbs in Anjali mudra face the chest and are perpendicular to other fingers, while ...
There are number of theories as to the origin of the shrine. According to Heinz Bechert [7] and Paul Younger, [8] the mode of veneration and rituals connected with Kataragama deviyo is a survival of indigenous Vedda mode of veneration that preceded the arrival of Buddhist and Indo-Aryan cultural influences from North India in Sri Lanka in the last centuries BCE, although Hindus, Buddhists and ...