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Typical of the mystic crucifixes is the body of Christ hanging on a Y-shaped tree fork with his head falling low over his chest, his mouth contorted with pain and his eyes full of tears. His narrow, sinewy arms stretch more upward than sideways, his thin body is strongly bent and deeply sunken below the breastbone, with prominently protruding ...
The third pictured, alchemical for black sulfur, is also known as a 'Leviathan Cross' or 'Satan's Cross'. Sun: Alchemy and Hermeticism: A symbol used with many different meanings, including but not limited to, gold, citrinitas, sulfur, the divine spark of man, nobility and incorruptibility. Sun cross: Iron Age religions and later gnosticism and ...
Palm Sunday itself marks the day Jesus entered Jerusalem. He entered the city knowing He would be tried and crucified—yet welcomed this fate in order to rise from the grave and save His ...
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Orthodox images more often contained inscriptions with the names of saints, so the Eastern repertoire of attributes is generally smaller than the Western. Many of the most prominent saints, like Saint Peter and Saint John the Evangelist can also be recognised by a distinctive facial type. Some attributes are general, such as the martyr's palm. [4]
Moses ben Jacob Cordovero, in The Palm Tree of Devorah, discusses ethical behaviour that man should follow, related to the qualities of the Sephirot, in order that man might emulate his Creator. Humility is the first, because although Keter is the highest, it is ashamed to look at its cause, and instead gazes at those below it. [ 3 ]
AMORC (standing for, among others, the Ancient Mystical Order of the Rosy Cross or the Ancient and Mystical Order Rosæ Crucis) is a Rosicrucian organization founded by Harvey Spencer Lewis in the United States in 1915. It has lodges, chapters and other affiliated bodies in several countries.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...