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In photographic science, a Mackie line is an adjacency or border effect created during development, at the border between areas of high and low densities.. During developing, developer remains relatively fresh in an area of low density as less developing takes place, and consequently, developer oxidation product concentration remains relatively low.
Springer and Jim Neel photographed rural worshipers for Salvation on Sand Mountain. [1] Springer has published several books, taught seminars at the International Center of Photography, appeared on CNN and Lifetime Television, and has had work appear in dozens of publications, including the New York Times, Village Voice, Elle, and Harper’s ...
Philbrook Museum of Art is an art museum with expansive formal gardens located in Tulsa, Oklahoma.The museum, which opened in 1939, is located in a former 1920s villa, "Villa Philbrook", the home of Oklahoma oil pioneer Waite Phillips and his wife Genevieve.
The Tulsa Voice is an Alt-Weekly newspaper covering entertainment and cultural events. Covering primarily economic events and stocks, the Tulsa Business Journal caters to Tulsa's business sector. Other publications include the Oklahoma Indian Times, the Tulsa Daily Commerce and Legal News, the Tulsa Beacon, This Land Press, and the Tulsa Free ...
The book takes its readers into "shadowy underground haunts" along with "prestigious galleries and clubs" where photographer Pittman captured over 100,000 pictures, including many featured in the ...
Miss Belvedere is a 1957 Plymouth Belvedere that was sealed in an underground vault on the grounds of the Tulsa city courthouse on June 15, 1957, as a 50-year time capsule: [1] [2] a "product of American industrial ingenuity with the kind of lasting appeal that will still be in style 50 years [later]."
The Tulsa metropolitan area is the economic engine of the Green Country as well as Eastern Oklahoma. In 2017 the Tulsa metropolitan area's GDP was $57.7 billion, [18] up from 43.4 billion in 2009, nearly thirty percent of Oklahoma's economy, and the 53rd largest in the nation. [19]
Designed by Tulsa architect Roger Coffey, it allowed for the cremains of church members and their immediate family members to be interred there. The columbarium contains a 6-foot (1.8 m) by 25-foot (7.6 m) cut glass window created by Richard Bohm of the Tulsa Stained Glass company.