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The Arnolfini Portrait, oil on oak, 1434. National Gallery, London. Jan van Eyck (/ v æ n ˈ aɪ k / van EYEK; Dutch: [ˈjɑɱ vɑn ˈɛik]; c. before 1390 – 9 July 1441) was a Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
The Arnolfini Portrait (or The Arnolfini Wedding, The Arnolfini Marriage, the Portrait of Giovanni Arnolfini and his Wife, or other titles) is an oil painting on oak panel by the Early Netherlandish painter Jan van Eyck, dated 1434 and now in the National Gallery, London.
Museum Boijmans Van Beuningen, Rotterdam 71.5 cm x 90 cm Now usually attributed to Hubert van Eyck: The Fountain of Life: c. 1432 Museo del Prado, Madrid 181 cm c 119 cm Usually attributed to the workshop of Van Eyck Portrait of a Man with Carnation: c. 1436 Gemäldegalerie, Berlin 40 cm x 31 cm Attributed to Van Eyck or a member of his workshop
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The Virgin and Child with Canon van der Paele, 1434–1436.Oil on wood, 141 x 176.5 cm (including frame), 122 x 157 cm (excluding frame). Groeningemuseum, Bruges.. The Virgin and Child with Canon van der Paele is a large oil-on-oak panel painting completed around 1434–1436 by the Early Netherlandish painter Jan van Eyck.
Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweller or Man with a Ring) is a very small (22.5 cm x 16.6 cm with frame) [1] oil on panel portrait of an unidentified man attributed to the Early Netherlandish painter Jan van Eyck. The painting was commissioned and completed sometime around ...
In 1841, Passavant attributed the diptych jointly to Hubert and Jan van Eyck; [2] by 1853, he had revised his opinion and gave attribution exclusively to Jan. [50] Gustav Waagen, the first director of the Gemäldegalerie, Berlin, attributed them to Petrus Christus in the mid 19th-century, based on the left-hand panel's similarity in composition ...
Left to right: Saint Barbara, Jan Vos, Virgin and Child, Saint Elizabeth of Hungary. The Madonna of Jan Vos (also known as Virgin and Child, with Saints and Donor) is a small oil panel painting begun by the Early Netherlandish artist Jan van Eyck c. 1441 and finished by his workshop after his death in 1442. As he died during the period of its ...