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Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. [21] Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The ...
Analogy is a comparison or correspondence between two things (or two groups of things) because of a third element that they are considered to share. [1]In logic, it is an inference or an argument from one particular to another particular, as opposed to deduction, induction, and abduction.
Analogy – the use of a similar or parallel case or example to reason or argue a point. Anaphora – a succession of sentences beginning with the same word or group of words. Anastrophe – inversion of the natural word order. Anecdote – a brief narrative describing an interesting or amusing event.
Allegory: a metaphoric narrative in which the literal elements indirectly reveal a parallel story of symbolic or abstract significance. [13] [14] [15] Allusion: covert reference to another work of literature or art. Anacoenosis: posing a question to an audience, often with the implication that it shares a common interest with the speaker.
Analogy - A comparison by showing how two seemingly different entities are alike, along with illustrating a larger point due to their commonalities. [ 11 ] [ 12 ] [ 13 ] Emphasis - The use of an expression or term in a narrower and more precise sense than usual to accentuate a certain sense.
A political cartoon by illustrator S.D. Ehrhart in an 1894 Puck magazine shows a farm-woman labeled "Democratic Party" sheltering from a tornado of political change.. A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. [1]
Anatomy of Criticism: Four Essays (Princeton University Press, 1957) is a book by Canadian literary critic and theorist Northrop Frye that attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature.
According to Freud's work (1900), condensation and displacement (from German Verdichtung and Verschiebung) are two closely linked concepts. [10] In the unconscious, through the dynamic movement of cathexis (charge of libido, mental or emotional energy), it is possible that an idea (image, memory, or thought) passes on its whole charge to another idea; Freud called this process "displacement."