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Richard Purdy Wilbur (March 1, 1921 – October 14, 2017) was an American poet and literary translator. One of the foremost poets, along with his friend Anthony Hecht, of the World War II generation, Wilbur's work, often employing rhyme, and composed primarily in traditional forms, was marked by its wit, charm, and gentlemanly elegance.
[6] Thomas Hardy said that America had two great attractions: the skyscraper and the poetry of Edna St. Vincent Millay. [58] The poet Richard Wilbur asserted that Millay "wrote some of the best sonnets of the century." [59] [60] Nancy Milford published a biography of the poet in 2001, Savage Beauty: The Life of Edna St Vincent Millay.
Howard Nemerov, The Selected Poems of Howard Nemerov, edited by Daniel Anderson (Swallow/Ohio University) published posthumously); a New York Times "notable book of the year" Mary Oliver, Owls and Other Fantasies: poems and essays; Willie Perdomo, Smoking Lovely; James Reiss, Riff on Six: New and Selected Poems; Kenneth Rexroth, Complete Poems ...
The Richard Wilbur Award is an American poetry award and publishing prize given by University of Evansville in Indiana. It is named in honor of the American poet Richard Wilbur [ A ] and was established by William Baer , a professor at the University of Evansville.
Richard Wilbur Award (2003) Thomas Carper is an American poet . His work has appeared in Poetry , [ 1 ] The American Scholar , The Formalist , and The Review (London).
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Bloom selected poems from every entry in the series through 1997, with the exception of the 1996 volume, edited by Adrienne Rich. Bloom criticized the 1996 issue in his introductory essay, claiming that Rich had selected poems based on the "race, gender, sexual orientation, ethnic origin, and political purpose of the would-be poet", rather than ...
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]