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Cao Xian, Xu Yan, Li Shan , Gongsun Luo, and other scholars of the late Sui dynasty and Tang dynasty helped promote the Wen Xuan until it became the focus of an entire branch of literature study: an early 7th century scholar from Yangzhou named Cao Xian (曹憲) produced a work entitled Pronunciation and Meaning in the Wen Xuan (Chinese ...
The early 4th century anthology Soushen Ji edited by Gan Bao is the most prominent early source, and contains the earliest versions of a number of Chinese folk legends. Later, tales of Indian origins were included and used for spreading Buddhist concepts, such as reincarnation. [ 6 ]
The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
The first two known history books about Chinese literature were published by Japanese authors in the Japanese language. [80] Kojō Tandō wrote the 700 page Shina bungakushi (支那文学史; "History of Chinese Literature"), published in 1897. Sasakawa Rinpū wrote the second ever such book in 1898, also called Shina bungakushi. [81]
Unlike in Chinese varieties, where readings are usually genetically related, in Japanese the borrowed readings are unrelated to the native readings. [8] Furthermore, many kanji in fact have several on'yomi , reflecting borrowings at different periods – these multiple borrowings are generally doublets or triplets, and are sometimes quite ...
Nineteen Ways of Looking at Wang Wei: How a Chinese Poem Is Translated is a 1987 study by the American author Eliot Weinberger, with an addendum written by the Mexican poet Octavio Paz. The work analyzes 19 renditions of the Chinese-language nature poem "Deer Grove", which was originally written by the Tang -era poet Wang Wei (699–759).
Most of what is known about Qian's early life relies on an essay written by his wife Yang Jiang. [6] Born in Wuxi, Qian Zhongshu was the son of Qian Jibo (錢基博), a conservative Confucian scholar, landed gentry, and Chinese language professor at Tsinghua, St. John's University, and National Central University (Nanking), respectively.
The Xúngēn movement (simplified Chinese: 寻根文学; traditional Chinese: 尋根文學; lit. 'search for roots') is a cultural and literary movement in mainland China emphasizing local and minority cultures. [1] [2] It began in 1980s and was similar to the back-to-the-land movement. [1]