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Woman with a Hat (French: La femme au chapeau) is an oil-on-canvas painting by Henri Matisse.It depicts Matisse's wife, Amélie Matisse. [1] It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".
Self-Portrait in a Striped T-shirt 1906, Statens Museum for Kunst, Copenhagen, Denmark.. This is an incomplete list of works by the French modern artist Henri Matisse (31 December 1869 – 3 November 1954).
File:Henri Matisse, 1918, Portrait du peintre (Autoportrait, Self-portrait), oil on canvas, 65 x 54 cm, Matisse Museum (Le Cateau).jpg; File:Henri Matisse, 1919-21, Woman with a Red Umbrella Seated in Profile (Interior), oil on canvas, 81 x 65 cm, private collection.jpg
The conversation between Woman with a Hat and The Green Stripe shows how Amélie was nothing but a model in these paintings. Matisse prioritized his artistic vision and message over the actual personality of the sitter, his wife. [8] Critics and friends alike were unsettled by the lack of humanity in this portrait.
Woman on a High Stool (French: Femme au tabouret or La femme assise) is an oil painting on canvas by the French artist Henri Matisse from early 1914. It is held in the Museum of Modern Art, in New York. It is a portrait of Germaine Raynal, the wife of the poet and art critic Maurice Raynal.
Young Woman in White on a Red Background (French: Jeune femme en blanc, fond rouge) is an oil on canvas painting by Henri Matisse, from c. 1946. It is held in the Museum of Fine Arts of Lyon . [ 1 ] [ 2 ]
Woman Reading (La Liseuse), 1895, oil on board, 61.5 x 48 cm, Le Cateau-Cambrésis, Musée Matisse. Woman Reading (La Liseuse) is an oil-on-board painting executed in 1895 by the French artist Henri Matisse. [1] It is displayed at the Musée Matisse, in Le Cateau-Cambrésis, having been on loan from the Centre Pompidou since 2002. [2]
Matisse depicts his model and companion of many years, Lydia Delectorskaya, in an exotic Moroccan clothing, surrounded by a complex of abstract design and exotic color. [1] This is an example of one of the final groups of oil paintings in Matisse's career, in 1950 he stopped painting oil paintings in favor of creating paper cutouts.
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