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The Manichaean Painting of the Buddha Jesus (Chinese: 夷數佛幀; pinyin: Yí shù fó zhēn; Wade–Giles: I 2-shu 4 fo 2-chên 1; Japanese: キリスト聖像 [1]; rōmaji: Kirisuto Sei-zō; lit. 'Sacred Image of Christ'), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan.
Mani believed that the teachings of Gautama Buddha, Zoroaster, and Jesus were incomplete, and that his revelations were for the entire world, calling his teachings the "Religion of Light". [2] Manichaeism also often calls Jesus a Buddha. [3] This is because the term prophet was unfamiliar to a Chinese audience so Buddha was used as a substitute ...
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
Mani's ties to Jesus are divided into three main themes: "Jesus as Mani's personal savior" (as seen in the Cologne Manichaean Codex (en)), "Mani as the Apostle of Jesus Christ" (as seen in the Mani's crystal seal and as a self-designation in his letters), and "Mani as the paraclete of Jesus" (as seen in the designations of his disciples). In a ...
Thundy has surveyed the similarities and differences between the birth stories of Buddha by Maya and Jesus by Mary and notes that while there may have been similarities, there are also differences, e.g. that Mary outlives Jesus after raising him, but Maya dies soon after the birth of Buddha, as all mothers of Buddhas do in the Buddhist ...
The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.
Gathering of Four Buddhas, Joseon, 1652. Buddhist painting, Butsuga (仏画) in a broad sense, refers to Buddhist paintings in general, including Buddhist biographies, Jataka tales, Pure Land variant paintings (such as Taima mandala), Raigō, Buddhist narrative paintings such as the Two Rivers White Path and Six Paths paintings, Ancestors biographies, Emaki, E-toki, Ancestors drawings, Chinsō ...
Following the inauguration of the museum in 1898, the painting Christ's Appearance to Mary Magdalene after the Resurrection was displayed at the Mikhailovsky Palace, situated in the same room as the works The Last Day of Pompeii and Siege of Pskov by Karl Bryullov, The Brazen Serpent and Death of Camilla, Sister of Horace by Fyodor Bruni ...