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"I Wonder Why" was released as Laurie Records' first single, (number 3013), and was the group's first national pop chart hit, in 1958. The song went to number 22 on the Hot 100 . [ 2 ]
"I Wonder Why" is a song by American singer and songwriter Curtis Stigers, released as the first single from his eponymous debut album on August 12, 1991, in the United States. The song reached number four on the Danish and Irish singles charts, number five on the UK Singles Chart, and number nine on the US Billboar
The breakthrough came when their first Laurie release, "I Wonder Why", reached No. 22 on the Billboard Hot 100 chart, [1] and they appeared for the first time on the nationally televised American Bandstand show, hosted by Dick Clark. Dion said of the Belmonts: "I'd give 'em sounds. I'd give 'em parts and stuff. That's what 'I Wonder Why' was about.
His song "I Wonder Why" reached No. 5 on the UK Singles Chart [6] and No. 9 on the United States Billboard Hot 100 chart in 1991, [7] while "You're All That Matters to Me" reached No. 6 as the follow-up single in the UK. [6] In 2006, Stigers participated in the BBC Television show Just the Two of Us, where he sang with journalist Penny Smith.
Wonder Why" is a song written by Nicholas Brodszky (music) and Sammy Cahn (lyrics), published in 1951. [1] Brodszky and Cahn wrote "Wonder Why" for the film Rich, Young and Pretty (1951, directed by Norman Taurog). In the film, the song is sung by Vic Damone, Jane Powell and The Four Freshmen. [2]
In 2000, DJ Tony Touch recorded a version of the song, entitled "I Wonder Why? (He's the Greatest DJ)," whose lyrics were sung by Keisha Spivey and Pam Long of R&B girl group Total . The song was recorded and released by Dannii Minogue in 2007 and was an international Top 40 hit; it was also sampled by a Russian pop group Hi-Fi in their 1999 ...
Why you cry when you’re happy, relieved, or moved Crying is most commonly associated with sadness in humans, but it can also happen when you’re overjoyed or moved by a strong positive emotion ...
Tracks 2, 3, 5–8 & 10 arranged and produced by Glen Ballard; Recorded by Francis Buckley at Studio Ultimo (Los Angeles) with assistance from Barry Rudolph; Additional recording at The Village Recorder, Westlake Audio and Capitol Studios (all in Los Angeles); Engineering assistance by Rob Hart and Peter Doell; Mixed by Glen Ballard and Francis Buckley at Westlake Audio and Capitol Studios.