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An anapodoton (from Ancient Greek ἀναπόδοτον anapódoton: "that which lacks an apodosis, that is, the consequential clause in a conditional sentence), plural anapodota, is a rhetorical device related to the anacoluthon; both involve a thought being interrupted or discontinued before it is fully expressed.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Amplification is thus a set of strategies which, taken together, constitute inventio, one of the five classical canons of rhetoric. As a means of developing multiple forms of expression for a thought, amplification "names an important point of intersection where figures of speech and figures of thought coalesce." [17]
A partially ordered set (poset for short) is an ordered pair = (,) consisting of a set (called the ground set of ) and a partial order on . When the meaning is clear from context and there is no ambiguity about the partial order, the set X {\displaystyle X} itself is sometimes called a poset.
Chiasmus – a figure of speech consisting of the contrasting of two structurally parallel syntactic phrases arranged "cross-wise", i.e., in such a way that the second is in reverse order from the first. Chreia – an anecdote (a deed, a saying, a situation) involving a well-known figure. Circumlocution – use of many words where a few would do.
A totally ordered set is a partially ordered set in which any two elements are comparable. The Szpilrajn extension theorem states that every partial order is contained in a total order. Intuitively, the theorem says that any method of comparing elements that leaves some pairs incomparable can be extended in such a way that every pair becomes ...
Articles relating to figures of speech, words or phrases that entail an intentional deviation from ordinary language use in order to produce a rhetorical effect. [1
Climax is frequently used in persuasion (particularly advertising) to create false dilemmas and to focus attention on the positive aspects of the subject at hand. The initial inferior options make the final term seem still better by comparison than it would appear in isolation: "X is good, Y is better, Z is best" is a standard format.