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Sanford Bray of Boston patented the use of copper foil in stained glass in 1886, [37] However, a reaction against the aesthetics and technique of opalescent windows - led initially by architects such as Ralph Adams Cram - led to a rediscovery of traditional stained glass in the early 1900s. Charles J. Connick (1875–1945), who founded his ...
The Art Deco stained glass is a distinctive feature of the church, created between 1935 and 1938 by Francois Decorchemont. [7] The glass is displayed in the three large windows in the nave. All three windows are crowded with colorful Biblical figures and events.
Stained glass window by Hardman & Co., St. John the Baptist Church, Cirencester. Hardman & Co., otherwise John Hardman Trading Co., Ltd., founded 1838, began manufacturing stained glass in 1844 and became one of the world's leading manufacturers of stained glass and ecclesiastical fittings. After the doors closed at Lightwoods Park Justin ...
The 13th century saw the introduction of a new kind of window, with grisaille, or white glass, with a geometric pattern, usually joined with medallions of stained glass. These windows allowed much more light into the cathedral, but diminished the vividness of the stained glass, since there was less contrast between the dark interior and bright ...
A mashrabiya or mashrabiyya (Arabic: مشربية) is an architectural element which is characteristic of traditional architecture in the Islamic world and beyond. [1] [2] It is a type of projecting oriel window enclosed with carved wood latticework located on the upper floors of a building, sometimes enhanced with stained glass.
The use of rib vaults, and buttresses outside supporting the walls, allowed the elimination of the traditional walls between the chapels, and the installation of large stained glass windows. This gave the ambulatory a striking openness, light, and greater height. [11] [6] The builders then constructed the nave of the church, also using rib vaults.
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