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The term "National Treasure" has been used in Japan to denote cultural properties since 1897. [1] The definition and the criteria have changed since the inception of the term. These paintings adhere to the current definition, and were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9 ...
Ukiyo-e, literally means 'pictures of the floating world', is a genre of woodblock prints that exemplifies the characteristics of pre-Meiji Japanese art. Because these prints could be mass-produced, they were available to a wide cross-section of the Japanese populace – those not wealthy enough to afford original paintings – during their ...
Toyota Motor Co. was established as an independent and separate company in 1937. Although the founding family's name was written in the Kanji "豊田" (rendered as "Toyoda"), the company name was changed to a similar word in katakana - トヨタ (rendered as "Toyota") because the latter has 8 strokes which is regarded as a lucky number in East Asian culture. [3]
The Toyota Automobile Museum (トヨタ博物館, Toyota Hakubutsukan) is a large museum showcasing the history of Toyota as an automobile manufacturer. In addition to displaying its own vehicles that Toyota has manufactured over the years, numerous vehicles from other manufacturers of various makes are also being displayed in the museum.
After World War II, Toyota benefited from Japan's alliance with the United States to learn from American automakers and other companies, which gave rise to The Toyota Way (a management philosophy) and the Toyota Production System (a lean manufacturing practice) that transformed the small company into a leader in the industry and was the subject ...
Shinto is considered to be at the fountain-head of Japanese culture. [3] With its emphasis on the wholeness of nature and character in ethics, and its celebration of the landscape, it sets the tone for Japanese aesthetics. Until the thirteenth century, Shinto remained the main influence on Japanese aesthetics. [4]
Onnayu [1] (Ladies' Bath), a colored ukiyo-e print by Torii Kiyonaga (1752–1815) depicting a male sansuke (upper left corner) attending on women at a public bathhouse. Ukiyo (浮世, 'floating/fleeting/transient world') is the Japanese term used to describe the urban lifestyle and culture, especially the pleasure-seeking aspects, of Edo period Japan (1600–1867).
In James A. Michener's book Iberia the adjective shibui is referenced as follows: "The Japanese have a word which summarizes all the best in Japanese life, yet it has no explanation and cannot be translated. It is the word shibui, and the best approximation to its meaning is 'acerbic