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Death Bringer, alternatively titled Galdregon's Domain in Europe, is a 1988 role-playing video game originally developed and self-published by Pandora and released for the Amiga, Atari ST, Commodore 64, TurboGrafx-CD, and X68000.
Like many monsters of Japanese folklore, malicious yūrei are repelled by ofuda (御札), holy Shinto writings containing the name of a kami. The ofuda must generally be placed on the yūrei ' s forehead to banish the spirit, although they can be attached to a house's entry ways to prevent the yūrei from entering.
This is the desktop dictionary for geographic reference. It is designed to be easily comprehensible. It includes color maps of Japan and detailed maps of major Japanese cities; Tokyo, Kyoto-shi, Nara-shi, Osaka-shi, and Nagoya-shi. The index for hard-to-read place names is included at the back of the dictionary.
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Even though the kijin and onryō of Japanese Buddhist faith have taken humans' lives, there is the opinion that there is no "death god" that merely leads people into the world of the dead. [6] In Postwar Japan, however, the Western notion of a death god entered Japan, and shinigami started to become mentioned as an existence with a human nature ...
Owuo, Akan God of Death and Destruction, and the Personification of death. Name means death in the Akan language. Asase Yaa, one half of an Akan Goddess of the barren places on Earth, Truth and is Mother of the Dead; Amokye, Psychopomp in Akan religion who fishes the souls of the dead from the river leading to Asamando, the Akan underworld
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail.
The Japanese began to believe in Hotei during the Edo era. The reason why the Japanese have such great respect for this god comes from a legend that says that, before Zen Buddhism arrived in Japan, an alternative Buddhist thought was extended by a priest of dubious aesthetic, who actually was a manifestation of Miroku .