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The Harpsichord Concerto in D minor, BWV 1052, is a concerto for harpsichord and Baroque string orchestra by Johann Sebastian Bach. In three movements, marked Allegro, Adagio and Allegro, it is the first of Bach's harpsichord concertos, BWV 1052–1065.
Composer directing cantata from gallery in a church, engraving from Musicalisches Lexicon, Johann Gottfried Walther, 1732. The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach.
Based on BWV 1052, 1052a and/or on cantata movements BWV 146/1 (Sinfonia) and /2 (Chorus), and/or on what is known regarding the lost opening Sinfonia of BWV 188 (a variant of the third movement of BWV 1052 scored for oboe, strings and obligato organ): Violin Concerto in D minor [19] Organ Concerto in D minor [20] [21]
Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, [1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord.
Harrison Birtwistle arranged a number of Bach organ works as Bach Measures, for chamber orchestra (1996) Edward Elgar transcribed Bach's Fantasia and Fugue in C minor BWV 537 for orchestra; Sergei Rachmaninoff made a transcription of the Violin Partita in E major, BWV 1006, including the following movements: prelude, gavotte and gigue.
Instructive Editions and Piano Performance Practice: A Case Study. Saarbrücken: Lambert Academic Publishing. ISBN 978-3-8473-2151-4: Bertoglio, Chiara and Knyt, Erinn (2023). Liner notes for the CD Bach-Busoni. Complete Transcriptions, Arrangements, and Contrapuntal Piano works (Bach & Italy Vol 6). Osaka: Da Vinci Classics. EAN 7.46160916217
The orchestra of the concertos for one or more accompanied soloists (BWV 1041–1044, 1049–1050 and 1052–1065) consists in most cases of strings (two parts for violins and one viola part) and continuo (for example performed on cello and harpsichord).
Volume 14 – Toccatas, BWV 910–916; Passacaglia, BWV 582; Fugues BWV 575–577; Concertos for One and Two Harpsichords, BWV 1052–1062 (w/ Friederike Bretschneider/Amati Orchestra/Erich Fiala, cond.) Italian Concerto, BWV 971; French Overture, BWV 831; Four Duets, BWV 802–805; Capriccio in B-flat, BWV 992 (recorded Philips, 1975)