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The penanggalan or penanggal is a nocturnal vampiric entity from Malay ghost myths. It takes the form of a floating disembodied woman's head, with its organs and entrails trailing from its neck. From afar, the penanggalan is said to twinkle like a ball of flame, similar to the will-o'-the-wisp phenomenon.
The film borrows elements from Southeast Asian folklore and Balinese mythology, including the Penanggalan [4] and the Leyak [5] respectively (the Leyak being Balinese, the Penanggalan being from Malaysian ghost myths), entities which have in common that they take the form of flying heads with innards still attached.
Ghost Rider is a 2007 American superhero film written and directed by Mark Steven Johnson. Based on the Marvel Comics character of the same name , it was produced by Columbia Pictures in association with Marvel Entertainment , Crystal Sky Pictures , and Relativity Media , and distributed by Sony Pictures Releasing .
Matthew Long [3] (born May 18, 1980) [4] is an American actor. He is best known for playing Ezekiel Landon in the NBC/Netflix sci fi drama Manifest (2019–2023), and his roles in the television series Jack & Bobby (2004–2005), and the films Ghost Rider (2007) and Sydney White (2007).
Ghost Rider: Spirit of Vengeance is a 2011 American superhero film based on the Marvel Comics antihero Ghost Rider.It is a sequel to the 2007 film Ghost Rider [8] and features Nicolas Cage reprising his role as Johnny Blaze / Ghost Rider [9] with supporting roles portrayed by Ciarán Hinds, Violante Placido, Johnny Whitworth, Christopher Lambert, and Idris Elba.
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Produced by High Banks Entertainment Ltd., [13] the cast includes Peque Gallaga, Rodolfo Vera, and Maricel Soriano. In the erotic novel Melania: Devourer of Men (2018), Melania Trump is depicted as a manananggal who must keep her identity hidden after her husband becomes president. The novel has been discussed [14] on several [15] podcasts. [16]
The Ghost Rider title card was used again for the season finale. [101] For the Framework setting, the production team chose a specific, more "washed" out palette to clearly differentiate those scenes from the real world. This was realized through a combination of production and costume design, and cinematography. [102]