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Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. [1] In Turkish it is called “tezhip”, [2] meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions.
The Hünername ('Book of Talents') is an illustrated manuscript prepared in the late 16th century at the Ottoman court and preserved since then in Topkapı Palace in Istanbul. [1] It contains the history of the Sultans of the Ottoman Empire and particularly that of Suleiman the Magnificent. Bound in two volumes and illustrated with 89 double ...
Siyer-i Nebi (Ottoman Turkish: سیر نبی) is an Ottoman epic on the life of the Islamic prophet Muhammad, completed around 1388, written by Mustafa (son of Yusuf of Erzurum, known as al-Darir), a Mevlevi dervish on the commission of Sultan Barquq, the Mamluk ruler in Cairo.
Ottoman miniature and Ottoman illumination cover the figurative and non-figurative elements of the decoration of manuscripts, which tend to be treated as distinct genres, though often united in the same manuscript and page. [11] The reign of the Ottomans in the 16th and early 17th centuries introduced the Turkish form of Islamic calligraphy.
Imperial decrees, Quranic manuscripts, and different Ottoman-generation calligraphic artifacts are on display within the museum. [8] Sakıp Sabancı Museum: Sakıp Sabancı Museum is a renowned cultural institution called located in Istanbul. It features periodic exhibitions of modern art, Islamic art, and Turkish painting and sculpture. [9]
Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events. Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
The palace also holds an Ottoman Turkish version of the Falnama created for the Sultan Ahmed I in the early 17th century, [11] with 59 double-page spreads. [20] Similarities between these four manuscripts' paintings suggest that they were influenced by common depictions that have not survived. [6]
Only two manuscripts of the text, one in the Vatican and one in Dresden, Germany. were known before a third manuscript was discovered in a private collection in Gonbad-e Kavus, Iran, in 2018. The epic tales of Dede Korkut are some of the best-known Turkic dastans from among a total of well over 1000 recorded epics among the Turkic and Mongolian ...