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Diaper in textiles refers to richly decorated fabrics with a small geometrical or floral pattern that consists of the constant repetition of one or more simple figures or units of design evenly spaced. The term was initially associated with silk with diamond patterns later applied to linen and cotton fabrics of similar designs. [5] [6]
Intarsia inlay in wood furniture differs from marquetry, a similar technique that largely replaced it in high-style European furniture during the 17th century, [2] in that marquetry is an assembly of veneers applied over the entire surface of an object, whereas inlay consists of small pieces inserted on the bed of cut spaces in the base ...
Upward pattern of a fire emblem, symbolized that the emperor led its people in making positive efforts Grain of rice (粉米, fěn mǐ) Symbolize nourishment and the country's agriculture, and also symbolizes that the emperor is the mainstay for the people. Axe (黼, fǔ) The Axe stands for “cut-off”; i.e. the emperor's power to act decisively
Dancheong (Korean: 단청) refers to Korean decorative colouring on wooden buildings and artifacts for the purpose of style. [1] It is an adaptation of the Chinese practice danqing, although danqing refers to Chinese painting on silk or paper rather than decoration on wood.
A wide variety of tiles had to be manufactured in order to cover complex forms of the hall with consistent mosaic patterns. The result was a technological triumph as well as a dazzling display of abstract ornament. [7] During the Safavid period, mosaic ornaments were often replaced by a haft rang (seven colors) technique. Pictures were painted ...
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional projections. Drawings such as shown on this scroll would have served as pattern-books for the artisans who fabricated the tiles, and the shapes of the girih tiles dictated how they could be combined into large patterns.
Roman guilloche around a scene with Diana the Huntress, late 2nd century AD, mosaic, Bardo National Museum, Tunis, Tunisia [1]. Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name.