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Tremolo examples (alternating notes) This type of tremolo includes the trill as a special case: a trill is simply an unmeasured tremolo between two notes separated by the interval of a major or minor second (whole- or half step). Thus, a tremolo in this sense is a generalization of a trill to any interval, and to include measured durations.
Musical technique is the ability of instrumental and vocal musicians to exert optimal control of their instruments or vocal cords in order to produce the precise musical effects they desire. Improving one's technique generally entails practicing exercises that improve one's muscular sensitivity and agility. Technique is independent of musicality.
Particularly famous examples of extended vocal technique can be found in the music of Luciano Berio, John Cage, George Crumb, Peter Maxwell Davies, Hans Werner Henze, György Ligeti, Demetrio Stratos, Meredith Monk, Giacinto Scelsi, Arnold Schoenberg, Salvatore Sciarrino, Karlheinz Stockhausen, Tim Foust, Avi Kaplan, and Trevor Wishart.
piano-vocal score The same as a vocal score, a piano arrangement along with the vocal parts of an opera, cantata, or similar Picardy third A Picardy third, Picardy cadence (ˈpɪkərdi ) or, in French, tierce picarde is a harmonic device used in Western classical music. It refers to the use of a major chord of the tonic at the end of a musical ...
The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron ...
The effect had been prefigured by composers including Francesco Pollini (1762–1846), a pupil of Mozart, whose 32 esercizi for the piano (1829), based on techniques found in the keyboard music of Johann Sebastian Bach and Jean-Philippe Rameau, included music written on three staves, and using interlocking hand positions, to generate the impression of three, or even four, hands.
Legato is formed by letting the string vibrate without stopping or muting it so the note slurs with the consecutive ones. Staccato is another very common musical articulation found in music. This action is caused by the player plucking, bowing, or picking the note and immediately muting the note so it is shorter than normal.
Little Concerto for piano or harpsichord, organ, and chamber orchestra, Op. 88 (1940) Tricks and Trifles, Op. 101 (1945) Double Concerto for violin, piano and small orchestra, Op. 124 (1950)
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