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The Crucible is a 1953 play by the American playwright Arthur Miller. It is a dramatized and partially fictionalized [ 1 ] story of the Salem witch trials that took place in the Province of Massachusetts Bay from 1692 to 1693.
Mary Warren is a character in the play The Crucible by Arthur Miller. True to the historical record, she is a maid for John Proctor, and becomes involved in the Salem witch hunt as one of the accusers, led by Abigail Williams. Mary Warren has a very weak character, giving in to pressure a number of times.
John Hale (June 3, 1636 – May 15, 1700) was the Puritan pastor of Beverly, Massachusetts, and took part in the Salem witch trials in 1692. He was one of the most prominent and influential ministers associated with the witch trials, being noted as having initially supported the trials and then changing his mind and publishing a critique of them.
Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist and screenwriter in the 20th-century American theater.Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955).
Tituba (fl. 1692–1693) was an enslaved Native American [a] woman who was one of the first to be accused of witchcraft during the Salem witch trials of 1692–1693.. She was enslaved by Samuel Parris, the minister of Salem Village, in the Province of Massachusetts Bay.
Giles Corey (bapt. Tooltip baptized 16 August 1611 – 19 September 1692) was an English-born farmer who was accused of witchcraft along with his wife Martha Corey during the Salem witch trials in the Province of Massachusetts Bay.
Abigail Williams (born c. 1681, date of death unknown) [2] was an 11- or 12-year-old girl who, along with nine-year-old Betty Parris, was among the first of the children to falsely accuse their neighbors of witchcraft in 1692; these accusations eventually led to the Salem witch trials.
Expressionism on the American stage: Paul Green and Kurt Weill's Johnny Johnson (1936). Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century.