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"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
The poem is about the contrast between these people and the gap that is developing between the rich and poor even in the USA which is meant to be a 'democracy'. [1] [2] The description of the couple as "Beautiful People" is perhaps ironic as the term was first used to describe those had held countercultural ideals during the 1960s. [2]
All poetry was originally oral, it was sung or chanted; poetic form as we know it is an abstraction therefrom when writing replaced memory as a way of preserving poetic utterances, but the ghost of oral poetry never vanishes. [28] Poems may be read silently to oneself, or may be read aloud solo or to other people.
Diane Marie Burns (January 11, 1956 – December 22, 2006) was an Anishinaabe (Lac Court Oreilles) and Chemehuevi artist, known for her poetry and performance art highlighting Native American experience. After moving to New York City, she become involved with the Lower East Side poetry community, including the Nuyorican Poets Café.
A small part of the poem is stated above, this summarises the main idea of the poem itself: the father works to keep the family safe and warm without expecting appreciation for it. [9] Another symbol found in the poem is the symbol of the "good shoes". As the titles reminds the readers, it is a Sunday, a religious day.
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
An excerpt from the poem is on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture. The excerpt reads: "I ask no monument, proud and high to arrest the gaze of the passers-by; all that my yearning spirit craves is bury me not in a land of slaves."
In I am Joaquin, Joaquin (the narrative voice of the poem) speaks of the struggles that the Chicano people have faced in trying to achieve economic justice and equal rights in the U.S., as well as to find an identity of being part of a hybrid mestizo society. He promises that his culture will survive if all Chicano people stand proud and demand ...