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The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.
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In April 2021, the developers announced plans to launch a Kickstarter project later in the month to turn the demo into a full game. [12] On April 18, a Kickstarter project for the full version of the game was released under the name Friday Night Funkin': The Full Ass Game and reached its goal of $60,000 within hours. [17]
This page lists the songs that reached number one on the overall Billboard Hot R&B/Hip-Hop Songs, Hot R&B Songs, Hot Rap Songs and R&B/Hip-Hop Airplay charts in 2025. The R&B Songs and Rap Songs charts partly serve as respective distillations of the overall R&B/Hip-Hop Songs chart, apart from the R&B/Hip-Hop Airplay chart which serve as a forefront for radio and video airplay counts.
It is also the first time a sampler with touch sensitive trigger pads was produced by AKAI, giving birth to the popular MPC series of sampler sequencers. The Akai S950 (1988) was an improved version of the S900, with a maximum sample frequency of 48 kHz and some of the editing features of the contemporary S1000. The Akai S1000 (1988) was ...
Akai MPC; Akai S900; Akai SG01v; Akai X7000; Akai AX60; Akai AX80; E. Electronic wind instrument; S. Akai S1000; Akai S3000XL This page was last edited on 1 May 2022 ...
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The Smeezingtons used an Akai MPC4000, three Roland Fantom S88, V‑Synth GT, a regular V‑Synth, Korg R3, MicroKorg, Novation Ultranova, Dave Smith Mopho, and two Access Virus TI's to produce music. Ari Levine stated he rarely uses MPC, Storm Drum or Addictive Drums software. [49] In August 2012, the team purchased a Korg keyboard. [12]