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Barnard includes "Death & Co." among a number of Plath's "baby" poems where infants appear as part of "an imagery of disintegration and death." [6] The chiming of "The dead bell/The dead bell" commemorates the refrigerated corpses of stillborn babies in a maternity ward.: [7] He tells me how sweet The babies look in their hospital Icebox, a simple
Scholars have noted that the form of the poem follows the content: the wavelike quality of the long-then-short lines parallels the narrative thread of the poem. The extended metaphor of "crossing the bar" represents travelling serenely and securely from life into death. The Pilot is a metaphor for God, whom the speaker hopes to meet face to face.
The poem discusses proper decorum in the wake of the death of a young woman, described as "the queenliest dead that ever died so young". The poem concludes: "No dirge shall I upraise,/ But waft the angel on her flight with a paean of old days!" Lenore's fiancé, Guy de Vere, finds it inappropriate to "mourn" the dead; rather, one should ...
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
Having first referred to a child's coming of age, the poem describes a number of (particularly fatal) misfortunes which may then befall one: a youth's premature death, famine, warfare and infirmity, the deprivations of a traveller, death at the gallows or on the pyre and self-destructive behaviour through intemperate drinking.
It describes the poet's musings on death over a series of nine "nights" in which he ponders the loss of his wife and friends, and laments human frailties. The best-known line in the poem (at the end of "Night I") is the adage "procrastination is the thief of time", which is part of a passage in which the poet discusses how quickly life and ...
Illustration for "The Conqueror Worm", by W. Heath Robinson, 1900 "The Conqueror Worm" is a poem by Edgar Allan Poe about human mortality and the inevitability of death. It was first published separately in Graham's Magazine in 1843, but quickly became associated with Poe's short story "Ligeia" after Poe added the poem to a revised publication of the story in 1845.
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.