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Other sixteenth-century composers whose instrumental music can be played well on recorder consorts include: Anthony Holborne (c. 1545 – 1602) Tielman Susato (c. 1510 – c. 1570) Other notable composers of the Renaissance whose music may be played on the recorder include: Guillaume Dufay (1397 – 1474) Johannes Ockeghem (1410/1425 – 1497)
Robert Valentine (c. 1671 – 26 May 1747), also known as Roberto Valentini and Roberto Valentino, was an English composer, recorder player, oboist and violinist, who moved to Rome and became a naturalised Italian.
Other catalogues of Handel's music have referred to the work as HG xxvii, 40; and HHA iv/3,52. [2] Handel used an arrangement of the sonata in his Organ Concerto in F major (HWV 293). [3] Both the Walsh edition and the Chrysander edition indicate that the work is for recorder ("flauto"), and published it as Sonata XI.
Other catalogues of Handel's music have referred to the work as HG xxvii, 15; and HHA iv/3,21. [2] Both the Walsh edition and the Chrysander edition indicate that the work is for recorder ("flauto"), and published it as Sonata IV. A typical performance of the work takes about 11 minutes.
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Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
The alto recorder in F, also known as a treble (and, historically, as consort flute and common flute) is a member of the recorder family. Up until the 17th century the alto instrument was normally in G 4 instead of F 4. [1] [2] Its standard range is F 4 to G 6. The alto is between the soprano and tenor in size, and is correspondingly ...