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The earliest known field recording is of a Shama bird. It was recorded in 1889 by Ludwig Koch using a wax cylinder recording. This was the first documented recording of a non-human subject. [4] The distinction between whether field recordings are art or music is still ambiguous, as they still serve both purposes. [5]
From 1950 onwards, magnetic tape quickly became the standard medium of audio master recording in the radio and music industries and led to the development of the first hi-fi stereo recordings for the domestic market, the development of multi-track tape recording for music, and the demise of the disc as the primary mastering medium for sound ...
Among the earliest ensembles to begin use of recorders in the twentieth century was the Bogenhauser Künstlerkapelle (Bogenhausen Artists' Band) which from 1890 to 1939 used antique recorders and other instruments to play music of all ages, including arrangements of classical and romantic music. Nonetheless, the recorder was considered ...
Frances Densmore and Blackfoot chief Mountain Chief working on a recording project of the Bureau of American Ethnology (1916).. Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects.
Alan Lomax (/ ˈ l oʊ m æ k s /; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century.
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
This page was last edited on 2 December 2014, at 01:03 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Nagra IV-STC was the standard for film and classical music recording until the mid-1990s, when DAT recorders became reliable enough to use in the field. In response, Kudelski produced two digital recorders to compete: Nagra D – 4 channel PCM digital audio recorder.
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