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Salon.com, originally salon1999.com, was founded in 1995 by David Talbot, Gary Kamiya, Andrew Ross, Mignon Khargie, Scott Rosenberg, and Laura Miller. [ 10 ] Regular contributors have included the political-opinion writers Amanda Marcotte , Scott Eric Kaufman, Heather Digby Parton and Sean Illing, critic Andrew O'Hehir and pop-culture columnist ...
Gary Kamiya of the San Francisco Examiner wrote: "There's enormous drama in the stories told by the recovering alcoholics in this movie, but very little drama – except melodrama – in the movie itself," but also added, "Still Drunks is worth seeing for its exceptional acting and the empathy it brings to the damaged lives of its courageous ...
Gary Kamiya, also of Salon, found the essay's main points valid, but, like Rossetto, attacked Barbrook's and Cameron's "ludicrous academic-Marxist claim that high-tech libertarianism somehow represents a recrudescence of racism." [12]
The City of Love – as seen in Cool, Gray City of Love by Gary Kamiya [13] and in the lyrics of "San Francisco" by German eurodance group Cascada [14] The City that Knows How [15] The Golden City – in reference to the California Gold Rush and golden brown grass on hillsides in the dry season [1]
After repeating the anti-"Frisco" proclamation claim in his 19 September 2020 history column for the San Francisco Chronicle, author and journalist Gary Kamiya issued a correction in his 3 October 2020 column and cited Lumea and The Emperor Norton Trust as the authority for saying that, in fact, "no primary documents have been found to support ...
Kim Anno (BFA 1983, MFA 1985), abstract painter, photographer, filmmaker; department chair and professor at California College of the Arts [2]; Anthony Aziz (MFA 1990), of the duo Aziz + Cucher, pioneer in the field of fine art digital imaging and post-photography, professor of fine arts and associate dean of faculty at Parsons School of Design [3]
Gary Kamiya of The San Francisco Examiner observed, "After watching this film, you feel as if Martin Luther had hammered every one of his 95 theses onto various parts of your anatomy, using dull thumbtacks.
[19] Gary Kamiya of The San Francisco Examiner bluntly referred to the film as descending "upon the hapless viewer like a vast load of pachyderm dung." He believed "even the most vigorous tear-duct manipulation, and a few funny scenes, cannot save "Dumbo" from its dominant tone of stilted corniness and prefab sentimentality."