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Chorus [5]. The pattern of a strophe (verse) sung in English followed by a burden (chorus) in Latin followed a structure typical of the religious carols of the period. [6]The Agincourt Carol was recorded by The Young Tradition on Galleries, [7] (with both the Early Music Consort and Dave Swarbrick contributing), and by the Silly Sisters (band) (Maddy Prior and June Tabor) on their second album ...
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
Jesus Paid It All (also known as Fullness in Christ and I hear the Saviour say and Christ All and in All) is a traditional American hymn about the penal substitutionary atonement for sin by the death of Jesus. The song references many Bible verses, including Romans 5 ("Jesus' sacrifice gives life") and Isaiah 1:18 ("a crimson flow"). [1]
The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection Laudi Spirituali del Bianco da Siena of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English.
The Manse in Thaxted, where Gustav Holst lived from 1917 to 1925 "Thaxted" is a hymn tune by the English composer Gustav Holst, based on the stately theme from the middle section of the Jupiter movement of his orchestral suite The Planets and named after Thaxted, the English village where he lived much of his life.
Through Jesus Christ our Lord most high, Who with the Holy Ghost and Thee Doth live and reign eternally. [4] Come, Holy Ghost, with God the Son And God the Father, ever One; Shed forth Thy grace within our breast, And dwell with us a ready Guest. By every power, by heart and tongue, By act and deed, Thy praise be sung; Inflame with perfect love ...
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"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.