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Chorus [5]. The pattern of a strophe (verse) sung in English followed by a burden (chorus) in Latin followed a structure typical of the religious carols of the period. [6]The Agincourt Carol was recorded by The Young Tradition on Galleries, [7] (with both the Early Music Consort and Dave Swarbrick contributing), and by the Silly Sisters (band) (Maddy Prior and June Tabor) on their second album ...
[2] [3] The song describes the Christian doctrine of grace and justification by faith articulated in Paul's Letter to the Romans in Romans 5:1-2 and 14-16. [4] The last line of the refrain, "Grace that is greater than all our sin!", and also the second line of the first verse, "Grace that exceeds our sin and our guilt!", both reflect Romans 5 ...
The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection Laudi Spirituali del Bianco da Siena of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English.
Within the mine, she is forced to set light to a tree spirit that resembles a mother and child that is blocking the way forward, even as the mother voice begs for her not to do it. After evading an area containing trolls, Linn enters an isolated area on a cliff-side with scattered reminders of her addiction, including needles, bottles of ...
The hymns are split up by subject, such as theme (Commitment/Action, Love and Compassion, Hope, Freedom, Justice, Stewardship of the Earth) time (Morning, Evening, The Seasons, Harvest, Solstice and Equinox), origin (Music of The Cultures of the World, Words from Sacred Traditions, The Jewish Spirit, The Christian Spirit), holiday (Kwanzaa, Pesach / Passover, Hanukkah, Advent, Christmas ...
Nunc, Sancte, nobis Spiritus is a Christian hymn which has traditionally been attributed to the fourth century St. Ambrose of Milan. However the earliest manuscript tradition for the hymn seems to only go back to the ninth century. [1] The hymn has traditionally been a core part of the prayers at Terce in the Liturgy of the Hours.
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"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.