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Valse triste (literal English translation: Sad Waltz), Op. 44/1, is a short orchestral work by the Finnish composer Jean Sibelius.It was originally part of the incidental music he composed for his brother-in-law Arvid Järnefelt's 1903 play Kuolema (Death), but is far better known as a separate concert piece.
The main motif of the music follows a chromatic descent from both the melodic and accompanying lines. The treble line (resembling a "pedal point", unusually in the upper voice), constantly goes down chromatically for the entire piece, excluding the climax and measures 9 and 12. The 8th note ostinato in the bass begins on an inverted E minor ...
A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme Operetta: little opera: A variety of light opera Oratorio: oratory: Large musical composition for orchestra, choir, and ...
Even "At Last," her most famous song, sounds sad even though it's technically a happy song. But "Stormy Weather" is for sure sad. It's the musical equivalent of a big, healing cry session.
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [3]
An American in Paris (1928), a symphonic tone poem with elements of jazz and realistic sound effects, premiered in Carnegie Hall by the New York Philharmonic, Walter Damrosch conducting. Dream Sequence (1931), a five-minute interlude for orchestra and chorus, meant to portray a mind reeling into the dream state. Also known as The Melting Pot.
The title page of the first book of J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys.. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale.
When Beethoven began composing his Symphony No. 7, Napoleon was planning his campaign against Russia.After Beethoven's Symphony No. 3 (and possibly Symphony No. 5 as well), Symphony No. 7 seems to be another one of his musical confrontations with Napoleon, this time in the context of the European wars of liberation from years of Napoleonic domination.
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