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Berber carpets are carpets hand-woven by the Berber people in North Africa and the Sahara. The carpets come in traditional and modern designs, which are distinguished by different knotting patterns, dyes and fabric textures.
Many of these Berber carpets are woven by the Beni Ourain peoples from the Rif Mountains near Taza. Colours vary from neutral shades to popping hues, with designs ranging from ordered geometric shapes to a more free-form, expressive pattern. Part of the appeal to the modernists was the primitivism in the carpets.
The carpets often depict the scenes of falconry or images of a ferocious lion. Well known are also Tabriz carpet-pictures with images of fragments of palaces and mosques, scenes of battles. Often, in creation of this or that ornamental pattern carpet weavers were inspired by the hand-painted covers of ancient books.
Macro shot of a Berber-style carpet. Berber-style carpets feature two sizes of tufts of varying colors in a loop pile construction Carpet with geometric patterns on the floor in kindergarten. Buryatia, Russia. Carpet is commonly made in widths of 12 and 15 feet (3.7 and 4.6 m) in the US, 4 m and 5 m in Europe.
The Berber tribes traditionally weave kilims (tapestry-woven carpets), whose designs maintain the traditional appearance and distinctiveness of the region of origin of each tribe, which has in effect its own repertoire of drawings.
To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. [2]
The Heris Carpet is the only carpet in the world where stories of the Old times are woven. [2] Heriz rug weavers often make them in geometric, bold patterns with a large medallion dominating the field. Such designs are traditional and often woven from memory.
Jean Besancenot, (French pronunciation: [ʒã bɘzãsɘ.no]; 24 September 1902 – 27 July 1992), born as Jean Girard, was a French painter, documentary photographer, and self-trained ethnographer, active mainly during the 1930s and 1940s in the French protectorate in Morocco.
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