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Korg Opsix - altered FM-synthesizer with 3-octave keyboard. Operators can do FM, Ring Mod, Filter FM, as well as act as either a filter or wavefolder; Korg ARP 2600FS - semi-modular synthesizer, a reproduction of their ARP 2600 synthesizer from the 70s. Korg RK-100S v2 - update to the new version from 2014 of the popular keytar from the 80s.
KORG has since diversified into digital effects, tuners, recording equipment, electronic hand percussion, and software instruments. [5] [6] In 1992, KORG acquired Vox, then primarily a manufacturer of guitar amplifiers. [7] KORG was the exclusive distributor of Marshall Amplification products in the US for decades. This arrangement ended in 2010.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. [1] [2] [3] It uses Korg's "HI (Hyper Integrated) Synthesis" system and was eventually available in several model variants with numerous upgrade options.
The Korg Trinity is a synthesizer and music workstation released by Korg in 1995. It was Korg's first modern workstation and marked a significant evolution from its predecessors by offering features such as built-in digital audio recording, 32-note polyphony, an extensive internal sound library, assignable effects, and a large touchscreen for advanced control and editing functions, a feature ...
The two primary synthesis concepts designed into the Wavestation were Wave Sequencing and vector synthesis, the latter Korg dubbed "Advanced Vector Synthesis".Although the Korg Wavestation was the first keyboard that used Wave Sequencing, its roots can be traced back to the preceding variations of wavetable-lookup synthesis, including the multiple-wavetable synthesizers [6] realized as PPG ...
The Korg 01/W series are workstation synthesizers, the first of which debuted in 1991, and were intended to replace the M1 and T series. The workstation/ROMpler was based on AI² (Advanced Integrated Squared), an improved version of the AI (Advanced Integrated) Synthesis technology found in the M1 (although the advancements of the core synthesis engine were arguably quite minor, except for the ...
The Korg CX-3 (single manual) and BX-3 (dual manual) were the first lightweight organs to produce a comparable sound to the original Hammond B-3. Sound on Sound 's Gordon Reid said that the CX-3 "came close to emulating the true depth and passion of a vintage Hammond," particularly when connected to a Leslie speaker.
Korg CX-3 (1980) According to journalist Gordon Reid, it "came close to emulating the true depth and passion of a vintage Hammond." [1]Transporting the heavy Hammond organ, bass pedalboard (a B-3 organ, bench and pedalboard weighs 425 pounds/193 kg) and Leslie speaker cabinets to performance venues makes it cumbersome for artists to tour with a vintage electromechanical organ.
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